Symbolism as a Literary Style of Understanding the Novel Analysis with reference to Great Gatsby and Waiting for Godot

Authors

  • Ibrahim Adam Said Daier
  • Muhammad Ali Abbakar Suleiman Al Tina

Keywords:

Symbolism as a Literary Style

Abstract

This paper focuses on Symbolism as a Literary Style

References

[ 1 ] Gibb, Thomas (2005). "Fitzgerald's The Great Gatsby." The Explicator 63: 96-98.

Goldsmith, Meredith (2003). "White Skin, White Mask: Passing, Posing, and Performing in The Great Gatsby." MFS Modern Fiction Studies

[ 2 ] January 2006. eNotes.com. 28 February 2010. <http://www.enotes.com/great-g Appelbaum D, 2009. Jacques Derrida

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[ 7] Derrida, J. 1993. Aporias. (trans.Thomas Dutoit). Stanford: Stanford University Press.

[ 8 ] Ghanbari MR, 2008.

[ 9 ] Lucy N, 2004.

[ 10 ] Pham V, 2013.

[ 11] Royle N, 2003. Jacques Derrida. Taylor and Francis e-Library.

[ 12 ] Salvatore J, 2004.

[ 13 ] Shams P, 2012.

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[ 15 ] Valentine J, 2009.

[ 16] Westmoreland M. 2008.

[ 17] Salvatore J, 2004. Foucault

Undergraduate Research in Writing and Rhetoric Volume 2, Fall 2004, 38-45.

[ 18] Valentine J, 2009. Nihilism and the Eschaton in Samuel Beckett

[ 19] Shams P, 2012. Waiting for Godot and the Question of Humanism. International Researcher, 1(3): 174-179.

[ 20] Pham V, 2013. The Elusive Self in Monstrous Time: Samuel Beckett

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Published

2014-10-29

How to Cite

Daier, I. A. . S., & Al Tina, M. A. A. . S. (2014). Symbolism as a Literary Style of Understanding the Novel Analysis with reference to Great Gatsby and Waiting for Godot. International Journal of Sciences: Basic and Applied Research (IJSBAR), 18(1), 315–320. Retrieved from https://gssrr.org/index.php/JournalOfBasicAndApplied/article/view/2925

Issue

Vol. 18 No. 1 (2014)

Section

Articles

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