Perception, Rationality and Corruption in Bram Stoker’s Dracula
Abstract
Perception, Rationality and Corruption in Bram Stoker’s Dracula
References
Arata, S. D. (1990). The Occidental Tourist: “Dracula” and the Anxiety of Reverse Colonization. Victorian Studies, 33(4), 621–645. http://www.jstor.org/stable/3827794
Bronte, Charlotte. Jane Eyre. New York: Bantam, 2003. Print.
Burns, S. (2017). Vampire and Empire: Dracula and the Imperial Gaze. ETropic: Electronic Journal of Studies in the Tropics, 16(1). https://doi.org/10.25120/etropic.16.1.2017.3563
Carter, M. L. (1976). Shadow of a Shade: A Survey of Vampirism in Literature. New York: Gordon Press.
Coleridge, S. T. (1857). The Rime of the Ancient Mariner. London, UK: R. Clay Printer.
Gezari, J. (1992). Charlotte Bronte? and defensive conduct : the author and the body at risk. University of Pennsylvania Press. https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=17258
Griffin, G. (1980). ”’Your Girls That You AlI Mine’: Dracula and the Victorian Male Sexual Imagination. International Journal of Women's Studies. Vol. 3. p. 463.
Halberstam, J., & Halberstam, J. (1993). Technologies of Monstrosity: Bram Stoker’s “Dracula.” Victorian Studies, 36(3), 333–352. http://www.jstor.org/stable/3828327
Hatlen, B. (1980). "The Return of the Repressed/Oppressed in Bram Stoker's Dracula." Minnesota Review. Vol. 15. pp. 80-97.
LeFanu, J. S. (1977). "Carmilla.” In his In A Glass Darkly. Vol. Ill. New York: Arno Press.
Martin, A. S., & Baghiu, S. (2024). The transmedial triangulation of Dracula: How cinema turned the Gothic bloodsucker into a gothicized serial killer. Humanities and Social Sciences Communications, 11(1), Article 1015. https://doi.org/10.1057/s41599-024-03531-2
Mulvey, L. (1975). Visual pleasure and narrative cinema. Screen, 16(3), 6-18.
New International Version. (2011). Exodus 13:22. https://www.biblegateway.com/versions/New-International-Version-NIV-Bible/ (Original work published 1978) [Accessed 19.03.2025]
Newcomb, Erin (2011) "Between Reason and Faith: Breaking the Status Quo in Bram Stoker’s Dracula," Journal of Dracula Studies: Vol. 13: No. 1, Article 4. DOI: 10.70013/91w3x4y5 Available at: https://research.library.kutztown.edu/dracula-studies/vol13/iss1/4
Parker, E. (2016). The Forest and the EcoGothic: Environment, Ecology, and Nature in Gothic Literature. Routledge.
Skal, D. J. (1990). Hollywood Gothic: The Tangled Web of Dracula from Novel to Stage to Screen. Faber & Faber.
Stoker, Bram. Dracula. Ed. Glennis Byron. Ontario: Broadview Press, 1998.
Subotsky, F. (2019). Dracula for doctors: Medical facts and Gothic fantasies. Cambridge University Press.
Sullivan, Diana E., ""We are all God's Madmen": The Orchestration of Gazing in Bram Stoker's Dracula" (2008). Graduate English Association New Voices Conference 2008. 7. https://scholarworks.gsu.edu/english_conf_newvoice_2008/7
Summers, M. (1925). The Vampire-His Kith and Kin. London: Kegan Paul, Trench, Trubner & Co.
Wigginton, R. (2005). Twilight States: Sleepwalking, Liminal Consciousness, And Sensational Selfhood In Victorian Literature And Culture. [Doctoral Dissertation, University of Kentucky] https://d-scholarship.pitt.edu/23798/1/R_Wigginton_Dissertation_ETD_copy_1.pdf?utm_source=chatgpt.com
Wolf, L. (1972). A Dream of Dracula. Boston: Little, Brown a Company.
Wolf, L. (1975). The Annotated Dracula by Bram Stoker. New York: Clarkson.
Zanini, C. V. (2015). Letras & Letras (Feb 2015)”The diurnal order of the image in Dracula.” Vol. 30, no. 1. pp. 144 – 160.
Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 2025 International Journal of Sciences: Basic and Applied Research (IJSBAR)
This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.
Authors who submit papers with this journal agree to the following terms.
